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Van Dyke"},{"term":"Wallace Beery"},{"term":"Walter Abel"},{"term":"Walter Browne Rogers"},{"term":"Walter Gotell"},{"term":"Walter Huston"},{"term":"Walter Lang"},{"term":"Walter Reyno"},{"term":"Walter Sande"},{"term":"Warren Clarke"},{"term":"Warren Stevens"},{"term":"Warwick Davis"},{"term":"Wash Westmoreland"},{"term":"Wass Steven"},{"term":"Wayne Wang"},{"term":"Wei Wei"},{"term":"Werner Herzog"},{"term":"Werner Kraub"},{"term":"Wes Anderson"},{"term":"Wes Craven"},{"term":"Wes Studi"},{"term":"Wesley Addy"},{"term":"Wesley Lau"},{"term":"Whoopi Goldberg"},{"term":"Wilford Brimley"},{"term":"Will Forte"},{"term":"Will Geer"},{"term":"Will Patton"},{"term":"Will Smith"},{"term":"William Atherton"},{"term":"William Binney"},{"term":"William Castle"},{"term":"William Daniels"},{"term":"William Demarest"},{"term":"William Devane"},{"term":"William Dieterle"},{"term":"William Frawley"},{"term":"William Goldman"},{"term":"William Hope"},{"term":"William Hopper"},{"term":"William Katt"},{"term":"William Leslie"},{"term":"William Marshall"},{"term":"William Rodríguez"},{"term":"William Sadler"},{"term":"William Shimell"},{"term":"William Talman"},{"term":"Wings Hauser"},{"term":"Wojciech Klata"},{"term":"Wojciech Pszoniak"},{"term":"Wolf Kahler"},{"term":"Wolfgang Bodison"},{"term":"Wong Kar-Wai"},{"term":"Woo Gi-hong"},{"term":"Wyatt Oleff"},{"term":"Xavier Samuel"},{"term":"Xenia Valderi"},{"term":"Xueqi Wang"},{"term":"Yacef Saadi"},{"term":"Yara Vaneau"},{"term":"Yevgeni Zharikov"},{"term":"Yoko Minamida"},{"term":"Yoo-Seok Kim"},{"term":"Yorgos Lanthimos"},{"term":"Yorick van Wageningen"},{"term":"Yoshiaki Hanayaki"},{"term":"Yoshiko Tanaka"},{"term":"Yoshio Tsuchiya"},{"term":"Youra Brussev"},{"term":"Yu Ji-tae"},{"term":"Yu-Wen Wang"},{"term":"Yuelin Zhao"},{"term":"Yumiko Fujita"},{"term":"Yuriy Stoyanov"},{"term":"Yves Massard"},{"term":"Yvonne De Carlo"},{"term":"Yvonne Furneaux"},{"term":"Yôko Naito"},{"term":"Yôko Umemura"},{"term":"Yûko Mochizuki"},{"term":"Zach Galligan"},{"term":"Zachary Quinto"},{"term":"Zakes Mokae"},{"term":"Zasu Pitts"},{"term":"Zaza Urushadze"},{"term":"Zazie Beetz"},{"term":"Zdenek Stepánek"},{"term":"Zeppo Marx"},{"term":"Zhang Fengyl"},{"term":"Zhang Hongmei"},{"term":"Zhang Lu"},{"term":"Zhang Ziyi"},{"term":"Zoe Saldana"},{"term":"Zoltan Korda"},{"term":"Zoran Radmilovic"},{"term":"Zsófia Psotta"},{"term":"animación. años 70"},{"term":"artes marciales"},{"term":"año 10"},{"term":"años 10"},{"term":"blaxploitation"},{"term":"campos de concentración"},{"term":"cine"},{"term":"cine clasico. Claire Bloom"},{"term":"cine clásico."},{"term":"cine clásico. años 60"},{"term":"cine familiar"},{"term":"cortometraje"},{"term":"documantal"},{"term":"drama."},{"term":"esquimales"},{"term":"exorcismo"},{"term":"expresionismo alemán"},{"term":"infiltración alienígena"},{"term":"kira Takarada"},{"term":"laguna acción"},{"term":"locura"},{"term":"mejores películas"},{"term":"mitología griega"},{"term":"momias"},{"term":"nazismo"},{"term":"nouvelle vaguea"},{"term":"peplum"},{"term":"políciaco"},{"term":"política"},{"term":"rocky"},{"term":"suspense. años 50"},{"term":"séptimo arte"},{"term":"terror."},{"term":"vampíros"},{"term":"vikingos"},{"term":"villanos"},{"term":"western."},{"term":"Ágata Lys"},{"term":"Álex Angulo"},{"term":"Álex García"},{"term":"Ígor Fomchenko"}],"title":{"type":"text","$t":"LAS MEJORES PELÍCULAS DE LA HISTORIA DEL CINE"},"subtitle":{"type":"html","$t":"*****Espacio cinéfilo destinado a recordar aquellos títulos que han marcado la historia del séptimo arte."},"link":[{"rel":"http://schemas.google.com/g/2005#feed","type":"application/atom+xml","href":"https:\/\/www.lasmejorespeliculasdelahistoriadelcine.com\/feeds\/posts\/default"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/2858312765972044065\/posts\/default\/-\/a%C3%B1os+40?alt=json-in-script\u0026max-results=5"},{"rel":"alternate","type":"text/html","href":"https:\/\/www.lasmejorespeliculasdelahistoriadelcine.com\/search\/label\/a%C3%B1os%2040"},{"rel":"hub","href":"http://pubsubhubbub.appspot.com/"},{"rel":"next","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/2858312765972044065\/posts\/default\/-\/a%C3%B1os+40\/-\/a%C3%B1os+40?alt=json-in-script\u0026start-index=6\u0026max-results=5"}],"author":[{"name":{"$t":"Jesús"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/07128994698708366703"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"generator":{"version":"7.00","uri":"http://www.blogger.com","$t":"Blogger"},"openSearch$totalResults":{"$t":"88"},"openSearch$startIndex":{"$t":"1"},"openSearch$itemsPerPage":{"$t":"5"},"entry":[{"id":{"$t":"tag:blogger.com,1999:blog-2858312765972044065.post-1999949012240766828"},"published":{"$t":"2018-12-06T10:28:00.001+00:00"},"updated":{"$t":"2018-12-06T10:28:43.356+00:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"años 40"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Charles Vidor"},{"scheme":"http://www.blogger.com/atom/ns#","term":"drama"},{"scheme":"http://www.blogger.com/atom/ns#","term":"George MacReady"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Glenn Ford"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Joseph Calleia"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Juan Murillo Bodas"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Rita Hayworth"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Steven Geray"}],"title":{"type":"text","$t":"GILDA (1946). Odiarse es amarse sin medida."},"content":{"type":"html","$t":"\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/2.bp.blogspot.com\/-fFxDGsofdvM\/XAgWdOnd_0I\/AAAAAAAAZYE\/QuGNs3e1mT8flu-tgsbBiPte92SaUF_AwCLcBGAs\/s1600\/gilda%2Bcartel.jpg\" imageanchor=\"1\" style=\"clear: left; float: left; margin-bottom: 1em; margin-right: 1em;\"\u003E\u003Cimg alt=\"gilda\" border=\"0\" data-original-height=\"450\" data-original-width=\"304\" height=\"320\" src=\"https:\/\/2.bp.blogspot.com\/-fFxDGsofdvM\/XAgWdOnd_0I\/AAAAAAAAZYE\/QuGNs3e1mT8flu-tgsbBiPte92SaUF_AwCLcBGAs\/s320\/gilda%2Bcartel.jpg\" title=\"gilda-1946\" width=\"216\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cspan style=\"font-family: inherit;\"\u003EEscribir sobre una película de tal envergadura como \u003Cb\u003EGilda\u003C\/b\u003E es todo un reto para los que amamos el cine. Es también desde luego un placer , el tener la posibilidad de expresar esa pasión, e intentar, que como una enfermedad benévola, ésta pasión se contagie, y alcance a aquellas personas que no hayan , si se me permite la expresión, gozado con Gilda, o si lo han hecho que vuelvan a hacerlo de nuevo.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cb\u003EGilda\u003C\/b\u003E es, por mucho que trate de evitar el tópico, algo más que una grandísima película, y algunas de sus imágenes poseen tal capacidad de sugerencia, tanta fuerza e intensidad, que no puede olvidarse jamás. Hoy en pleno siglo XXI nos sigue asombrando el erotismo y la sensualidad de \u003Cb\u003ERita Hayworth\u003C\/b\u003E, que encarna a Gilda: huracán perturbador , mujer hechicera, perturbadora ylibre y decidida a obtener lo que quiere de de los hombres.\u0026nbsp;\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003EPero… ¿cuál es el secreto de Gilda?, ¿qué es lo que la hace tan especial, tan fascinante, porque sigue cautivando a los espectadores hoy en día?. Como ha sucedido con otras obras míticas del Hollywood clásico, los que llevaron a cabo esta película no pensaron, casi con seguridad en que estaban creando un mito. Como suele ocurrir, una serie de afortunados factores hicieron posible la película.\u0026nbsp;\u003C\/span\u003E\u003Cbr \/\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cbr \/\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/1.bp.blogspot.com\/-tThivCIc6tA\/XAgW9omZsbI\/AAAAAAAAZY8\/vDXFJrUJP4UlRGg_zDYwWGRT9jptdF1BgCLcBGAs\/s1600\/gilda%2B1.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg alt=\"gilda\" border=\"0\" data-original-height=\"399\" data-original-width=\"640\" height=\"248\" src=\"https:\/\/1.bp.blogspot.com\/-tThivCIc6tA\/XAgW9omZsbI\/AAAAAAAAZY8\/vDXFJrUJP4UlRGg_zDYwWGRT9jptdF1BgCLcBGAs\/s400\/gilda%2B1.jpg\" title=\"gilda-1946\" width=\"400\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cbr \/\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003EEn primer lugar una extraordinario guión en el que se entremezclan a la perfección cine negro, melodrama y toques de cine de espías. La historia escrita por \u003Cb\u003EE.A. Ellington\u003C\/b\u003E, adaptada por \u003Cb\u003EJo Eisinger\u003C\/b\u003E y guionizada por \u003Cb\u003EMarion Parsonnet\u003C\/b\u003E es de un atractivo irresistible:\u0026nbsp;\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003ECuando Johny Farrell (\u003Cb\u003EGlenn Ford\u003C\/b\u003E) un jugador y buscavidas se ve envuelto en uno más de sus altercados relacionados con sus trampas de juego, es salvado por Ballin Mundson (\u003Cb\u003EGeorge MacReady\u003C\/b\u003E) el oscuro propietario de un casino y de algunos negocios sucios. Mundson contrata a Farrell para que dirija y controle su casino en Buenos Aires. Todo marcha razonablemente bien hasta que Mundson se casa con Gilda (\u003Cb\u003ERita Hayworth\u003C\/b\u003E) otra aventurera sin rumbo, que en el pasado fue la amante de Farrell… Los celos y las disputas entre ambos se harán cada vez más y más constantes. Al desaparecer Mundson todo parece que la relación entre Gilda y Johny va a consumarse, reviviendo las llamas de la pasión, pero todo se complica de nuevo.\u0026nbsp;\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003ELos diálogos hacen avanzar a la película rápidamente y antes de darnos cuenta estamos ya instalados en esa atractiva y peligrosa sala de juego clandestina de Buenos Aires donde se canta, se baila, se ama y se odia. Dónde los negocios sucios conviven con una sensualidad y sexualidad disimulada de forma magistral a través de las insinuaciones, las metáforas, la ambigüedad y la ironía.\u0026nbsp;\u003C\/span\u003E\u003Cbr \/\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cbr \/\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto; text-align: center;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/1.bp.blogspot.com\/-Bh06sD65LbU\/XAgXGYC_jVI\/AAAAAAAAZZc\/s9_d-78ygzAcssgz7OjHWUr_T6MCBXzaACLcBGAs\/s1600\/gilda%2B3.jpg\" imageanchor=\"1\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg alt=\"gilda\" border=\"0\" data-original-height=\"288\" data-original-width=\"384\" height=\"300\" src=\"https:\/\/1.bp.blogspot.com\/-Bh06sD65LbU\/XAgXGYC_jVI\/AAAAAAAAZZc\/s9_d-78ygzAcssgz7OjHWUr_T6MCBXzaACLcBGAs\/s400\/gilda%2B3.jpg\" title=\"gilda-1946\" width=\"400\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003Cbr \/\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003EEn segundo lugar la acertada elección del director: \u003Cb\u003ECharles Vidor\u003C\/b\u003E , el cual no destaca por aportar a sus obras un sello de auto, aunque si filmo interesantes películas como los\u0026nbsp;\u003C\/span\u003E\u003Cspan style=\"font-family: inherit;\"\u003Emusicales (Cover girl o Love Me or Leave Me ) sino que trata de filmar la historia de una forma lo más concreta posible, sin enfatizar el dramatismo ni alargando en exceso la duración de cada escena…el protagonismo es pues para los actores, que están todos realmente creíbles en todos sus papeles, aparte del trío protagonista hay que destacar a Joseph Calleia que interpreta al perspicaz y detective Maurice Obregon y a Steven Geray: contrapunto cómico de la historia que interpreta a Uncle Pio, un chistoso encargado del lavabo de los hombres. Tampoco se puede olvidar que Rita Hayworth era una gran bailarina. Los dos números que interpreta son magníficos, y aunque ella no canta ni \"\u003Cb\u003EAmado mío\u003C\/b\u003E\" ni \"\u003Cb\u003EPut The Blame On Mame\u003C\/b\u003E\" (ambas canciones escritas por \u003Cb\u003EAllan Roberts\u003C\/b\u003E y \u003Cb\u003EDoris Fisher\u003C\/b\u003E) sino Anita Ellis, ambas escenas, especialmente la segunda tiene que estar forzosamente en una antología de las \u003Cb\u003Eescenas míticas de la Historia del Cine\u003C\/b\u003E.\u0026nbsp;\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cb\u003ECharles Vidor\u003C\/b\u003E consigue una puesta en escena perfecta dónde lo que importa es cómo miran los actores, cómo hablan y cómo escuchan al que le da la replica. Con la colaboración de un magnífico director de fotografía como \u003Cb\u003ERudolph Maté\u003C\/b\u003E consigue otorgar a la película un aspecto sofisticado y elegante sin dejar de lado la precisión en los encuadres. Los primeros planos tienen una luz especial, deslumbrante, en ese sentido la presentación de Gilda no puede estar mejor filmada. Destaca también la movilidad de la cámara que recorre esa Sala de juego deslizándose casi sin que nos demos cuenta, sigue a los protagonistas y los atrapa en un espacio reducido, resaltando la tensión y el juego de mentiras y medias verdades que se establece entre ellos… En lo referente a la puesta en escena también me parece fundamental el vestuario de Rita Hayworth, obra de \u003Cb\u003EJean Louis\u003C\/b\u003E que hace que todos los trajes que se ponga en la película realcen su belleza, logrando una belleza hipnótica.\u0026nbsp;\u003C\/span\u003E\u003Cbr \/\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cbr \/\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/4.bp.blogspot.com\/-QurBoMNnd6I\/XAgXNoEq8GI\/AAAAAAAAZZk\/l1CFsYoh65o4RjiUgLrb2wTL9GHkK1csACLcBGAs\/s1600\/gilda%2B2.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg alt=\"gilda\" border=\"0\" data-original-height=\"738\" data-original-width=\"960\" height=\"307\" src=\"https:\/\/4.bp.blogspot.com\/-QurBoMNnd6I\/XAgXNoEq8GI\/AAAAAAAAZZk\/l1CFsYoh65o4RjiUgLrb2wTL9GHkK1csACLcBGAs\/s400\/gilda%2B2.jpg\" title=\"gilda-1946\" width=\"400\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003EEn tercer lugar el protagonismo directo de las mujeres en la obra: la producción es de \u003Cb\u003EVirginia Van Up\u003C\/b\u003E y el guión de \u003Cb\u003EMarion Parsonnet\u003C\/b\u003E. Quizás por eso Gilda no sea una femme-fatale típica del cine negro, más bien es una mujer que busca sexo y cariño por igual, y que tropieza con dos hombres cuya moral torturada y sus intereses económicos hacen que sea ignorada por ellos, por eso por lo que quiere llamar a la atención y reclamar así lo que quiere.\u0026nbsp;\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003C\/div\u003E\u003Cspan style=\"font-family: inherit;\"\u003EInmortal e inolvidable obra maestra que refleja un momento histórico concreto: la posguerra que siguió al termino de la segunda guerra mundial y que dio paso a un mundo nuevo, a una nueva forma de entender las relaciones entre hombres y mujeres. En ese sentido el descaro y el atrevimiento de Gilda la convierten en una película cuya vigencia hoy es patente. Las discusiones entre parejas, las bofetadas entre Johny y Gilda ellos y ese poder de seducción que las mujeres ejercen sobre los hombres y que las convierten en\u0026nbsp;\u003C\/span\u003E\u003Cspan style=\"font-family: inherit;\"\u003Eauténticos seres dominadores en lo que se refiere al terreno amoroso es algo que está perfectamente plasmado y que hoy en día sigue siendo así… No dejéis de ver Gilda.\u003C\/span\u003E\u003Cbr \/\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cbr \/\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/1.bp.blogspot.com\/-rwkHOTWokQ0\/XAgXkex9b6I\/AAAAAAAAZac\/mEv-zQNcocgItsgOM-FrFI8c-ye9TFDsQCLcBGAs\/s1600\/gilda%2B4.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg alt=\"gilda\" border=\"0\" data-original-height=\"768\" data-original-width=\"1024\" height=\"240\" src=\"https:\/\/1.bp.blogspot.com\/-rwkHOTWokQ0\/XAgXkex9b6I\/AAAAAAAAZac\/mEv-zQNcocgItsgOM-FrFI8c-ye9TFDsQCLcBGAs\/s320\/gilda%2B4.jpg\" title=\"gilda-1946\" width=\"320\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cb\u003EDirector:\u0026nbsp;Charles Vidor.\u003C\/b\u003E\u003C\/span\u003E\u003Cbr \/\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cb\u003E\u003Cbr \/\u003E\u003C\/b\u003E\u003C\/span\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cb\u003EIntérpretes:\u0026nbsp;\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"background-color: white; display: inline-block; text-align: start;\"\u003E\u003Cspan itemprop=\"name\" style=\"display: inline-block;\"\u003ERita Hayworth\u003C\/span\u003E,\u003C\/span\u003E\u003Cspan style=\"background-color: white; text-align: start;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"background-color: white; display: inline-block; text-align: start;\"\u003E\u003Cspan itemprop=\"name\" style=\"display: inline-block; text-decoration-line: none;\"\u003EGlenn Ford\u003C\/span\u003E,\u003C\/span\u003E\u003Cspan style=\"background-color: white; text-align: start;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"background-color: white; display: inline-block; text-align: start;\"\u003E\u003Cspan itemprop=\"name\" style=\"display: inline-block; text-decoration-line: none;\"\u003EGeorge Macready\u003C\/span\u003E,\u003C\/span\u003E\u003Cspan style=\"background-color: white; text-align: start;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"background-color: white; display: inline-block; text-align: start;\"\u003E\u003Cspan itemprop=\"name\" style=\"display: inline-block; text-decoration-line: none;\"\u003EJoseph Calleia\u003C\/span\u003E,\u003C\/span\u003E\u003Cspan style=\"background-color: white; text-align: start;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"background-color: white; display: inline-block; text-align: start;\"\u003E\u003Cspan itemprop=\"name\" style=\"display: inline-block; text-decoration-line: none;\"\u003ESteven Geray\u003C\/span\u003E,\u003C\/span\u003E\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"background-color: white; display: inline-block; text-align: start;\"\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/span\u003E\u003Cbr \/\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cb\u003E\u003Cbr \/\u003E\u003C\/b\u003E\u003C\/span\u003E\u003Cbr \/\u003E\u003Cdiv style=\"text-align: center;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cb\u003E\u003Cu\u003ETrailer:\u003C\/u\u003E\u003C\/b\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: center;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cb\u003E\u003Cbr \/\u003E\u003C\/b\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ciframe allowfullscreen=\"\" class=\"YOUTUBE-iframe-video\" data-thumbnail-src=\"https:\/\/i.ytimg.com\/vi\/a4l2o1MEUyY\/0.jpg\" frameborder=\"0\" height=\"266\" src=\"https:\/\/www.youtube.com\/embed\/a4l2o1MEUyY?feature=player_embedded\" width=\"320\"\u003E\u003C\/iframe\u003E\u003C\/div\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cb\u003E\u003Cbr \/\u003E\u003C\/b\u003E\u003C\/span\u003E\u003Cspan style=\"color: #660000; font-family: inherit;\"\u003E\u003Cb\u003EReseña escrita por Juan Murillo Bodas\u003C\/b\u003E\u003C\/span\u003E\u003C\/div\u003E"},"link":[{"rel":"replies","type":"application/atom+xml","href":"https:\/\/www.lasmejorespeliculasdelahistoriadelcine.com\/feeds\/1999949012240766828\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"https:\/\/www.blogger.com\/comment.g?blogID=2858312765972044065\u0026postID=1999949012240766828\u0026isPopup=true","title":"2 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/2858312765972044065\/posts\/default\/1999949012240766828"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/2858312765972044065\/posts\/default\/1999949012240766828"},{"rel":"alternate","type":"text/html","href":"https:\/\/www.lasmejorespeliculasdelahistoriadelcine.com\/2018\/12\/gilda-odiarse-es-amarse-sin-medida.html","title":"GILDA (1946). Odiarse es amarse sin medida."}],"author":[{"name":{"$t":"Jesús"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/07128994698708366703"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/2.bp.blogspot.com\/-fFxDGsofdvM\/XAgWdOnd_0I\/AAAAAAAAZYE\/QuGNs3e1mT8flu-tgsbBiPte92SaUF_AwCLcBGAs\/s72-c\/gilda%2Bcartel.jpg","height":"72","width":"72"},"thr$total":{"$t":"2"}},{"id":{"$t":"tag:blogger.com,1999:blog-2858312765972044065.post-5075030307967908679"},"published":{"$t":"2018-10-26T11:14:00.000+01:00"},"updated":{"$t":"2018-10-26T11:14:59.182+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"años 40"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Cornel Wilde"},{"scheme":"http://www.blogger.com/atom/ns#","term":"drama"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Gene Lockhart"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Gene Tierney"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Jeanne Crain"},{"scheme":"http://www.blogger.com/atom/ns#","term":"John M. Stahl"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Marilyn Rodríguez"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Mary Philips"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Ray Collins"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Reed Hadley"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Vincent Price"}],"title":{"type":"text","$t":"QUE EL CIELO LA JUZGUE (1945). Amores posesivos."},"content":{"type":"html","$t":"\u003Cdiv style=\"background-color: white; color: #1d2129; margin-bottom: 6px;\"\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/2.bp.blogspot.com\/-q3nvj12UAz8\/W9JB-3rmuOI\/AAAAAAAAZIo\/4nS8RtjYmVUwRqEPsn7Qrw8numKQY_Y-QCLcBGAs\/s1600\/que%2Bel%2Bcielo%2Bla%2Bjuzgue%2Bcartel.jpg\" imageanchor=\"1\" style=\"clear: left; float: left; margin-bottom: 1em; margin-right: 1em;\"\u003E\u003Cimg alt=\"que-el-cielo-la-juzgue\" border=\"0\" data-original-height=\"1200\" data-original-width=\"790\" height=\"320\" src=\"https:\/\/2.bp.blogspot.com\/-q3nvj12UAz8\/W9JB-3rmuOI\/AAAAAAAAZIo\/4nS8RtjYmVUwRqEPsn7Qrw8numKQY_Y-QCLcBGAs\/s320\/que%2Bel%2Bcielo%2Bla%2Bjuzgue%2Bcartel.jpg\" title=\"que-el-cielo-la-juzgue-1945\" width=\"210\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003EUn joven escritor, Richard Harland (\u003Cb\u003ECornel Wilde\u003C\/b\u003E) conoce a una atractiva mujer, Ellen Berent en un tren, dando comienzo a una relación que acaba en matrimonio. \u003Cb\u003EGeneTierney\u003C\/b\u003E encarna a Ellen Berent, una joven que viaja con el fin de esparcir las cenizas de su padre, recientemente fallecido. De inmediato, es espectador se hace partícipe de la dependencia que tiene la joven respecto a su padre y del desequilibrio mental que padece la misma.\u0026nbsp;\u003C\/span\u003E\u003Cspan style=\"font-family: inherit;\"\u003EPero, después de la boda, él empieza a descubrir esos signos de la inestabilidad mental de su esposa, que además parece particularmente inclinada a elaborar maquiavélicos planes para conseguir sus objetivos, sin importarle el precio que tenga que pagar por ello.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv style=\"background-color: white; color: #1d2129; margin-bottom: 6px; margin-top: 6px;\"\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003ECon guión de\u003Cb\u003E Jo Swerling\u003C\/b\u003E y basado en una novela de \u003Cb\u003EBen Ames Williams\u003C\/b\u003E, esta película contiene una mezcla de intriga, de cine negro con mujer fatal protagonista, pero ambientada en un decorado de Technicolor, el cual sustituye a las luces y sombras, sobre todo, a las sombras del cine negro, por los colores de la película, además de elementos románticos. Stahl nos sumerge y muestra la finísima línea que separa el amor desesperado de la perturbadora locura, centrándose en la figura de Ellen, capaz de cometer cualquier atrocidad con tal de mantener a su hombre.\u0026nbsp;\u003C\/span\u003E\u003Cspan style=\"font-family: inherit;\"\u003EStahl utiliza el melodrama y el thriller psicológico, y lo integra, mediante paralelismos con la naturaleza para mostrar los estados de ánimo de los personajes y las fases por las que transcurre la trama. Dichos personajes muestran una ambigüedad más extensa, de lo que a priori, nos puede parecer.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/1.bp.blogspot.com\/-fIveYhJchx4\/W9JCiBLumAI\/AAAAAAAAZIw\/OuKEJDnFmOMfeJeAGJ6JVlhUJZ1MccrWQCLcBGAs\/s1600\/que%2Bel%2Bcielo%2Bla%2Bjuzgue%2B1.png\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg alt=\"que-el-cielo-la-juzgue\" border=\"0\" data-original-height=\"481\" data-original-width=\"640\" height=\"300\" src=\"https:\/\/1.bp.blogspot.com\/-fIveYhJchx4\/W9JCiBLumAI\/AAAAAAAAZIw\/OuKEJDnFmOMfeJeAGJ6JVlhUJZ1MccrWQCLcBGAs\/s400\/que%2Bel%2Bcielo%2Bla%2Bjuzgue%2B1.png\" title=\"que-el-cielo-la-juzgue-1945\" width=\"400\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003EDe hecho, una de las escenas principales de la película no transcurre en el entorno urbano, sino en una localización exterior, magníficamente fotografiado por \u003C\/span\u003E\u003Cb style=\"font-family: inherit;\"\u003ELeon Shamroy\u003C\/b\u003E\u003Cspan style=\"font-family: inherit;\"\u003E, que vio recompensado su trabajo con un Óscar de la Academia; un lago donde se revela la verdadera naturaleza y de la amenaza que supone el personaje interpretado por la bellísima \u003C\/span\u003E\u003Cb style=\"font-family: inherit;\"\u003EGene Tierney\u003C\/b\u003E\u003Cspan style=\"font-family: inherit;\"\u003E, la cual, venía de interpretar a \"\u003C\/span\u003E\u003Cb style=\"font-family: inherit;\"\u003E\u003Ca href=\"http:\/\/www.lasmejorespeliculasdelahistoriadelcine.com\/2011\/08\/laura-1944.html\"\u003ELaura\u003C\/a\u003E\u003C\/b\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\", de \u003C\/span\u003E\u003Cb style=\"font-family: inherit;\"\u003EOtto Preminger\u003C\/b\u003E\u003Cspan style=\"font-family: inherit;\"\u003E, ofrece una actuación sublime, memorable y sugestiva, mediante la inexpresividad, como detentora de la maldad humana como consecuencia de los celos. Su patología podría tener su origen en una compleja relación paterno-filial, aunque en la cinta este hecho se deja entrever de una forma sibilina. Antes de Tierney, \u003C\/span\u003E\u003Cb style=\"font-family: inherit;\"\u003ERita Hayworth\u003C\/b\u003E\u003Cspan style=\"font-family: inherit;\"\u003E era la principal candidata para el rol de Ellen.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv style=\"background-color: white; color: #1d2129; margin-bottom: 6px; margin-top: 6px;\"\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cb style=\"font-family: inherit;\"\u003EQue el cielo la juzgue\u003C\/b\u003E\u003Cspan style=\"font-family: inherit;\"\u003E es una película que atrapa desde el primer momento de su visionado, con una fuerza narrativa muy intensa y magistralmente realizada por Stahl, el cual utiliza el melodrama y lo integra, mediante paralelismos con la naturaleza para mostrar los estados de ánimo de los personajes y las fases por las que transcurre la trama. Dichos personajes muestran una ambigüedad más extensa, de lo que a priori, nos puede parecer.\u003C\/span\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv style=\"background-color: white; color: #1d2129; margin-bottom: 6px; margin-top: 6px;\"\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003ENotable melodrama que cuenta con la música de \u003Cb\u003EAlfred Newman\u003C\/b\u003E sonando de fondo, el cual capta a la perfección, con sus notas, la diferencia entre la realidad y la pesadilla que habita en la mente de Ellen. La cinta posee una enorme fuerza narrativa y magníficamente realizado por Stahl, director también de la primera versión de \"\u003Cb\u003EImitación a la vida\u003C\/b\u003E\".\u0026nbsp;\u003C\/span\u003E\u003Cspan style=\"font-family: inherit;\"\u003ELos celos patológicos, llegan a alcanzar un nivel tal de obsesión, por parte de quien los padece, que pueden derivar en un comportamiento de trastorno de la personalidad.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/4.bp.blogspot.com\/-jt_PtjiyaaU\/W9JCy8aRAtI\/AAAAAAAAZI4\/1vYXlGGNPzwOyvi6Jm6uohOvpGu-_Al0ACLcBGAs\/s1600\/que%2Bel%2Bcielo%2Bla%2Bjuzgue%2B2.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg alt=\"que-el-cielo-la-juzgue\" border=\"0\" data-original-height=\"305\" data-original-width=\"433\" height=\"281\" src=\"https:\/\/4.bp.blogspot.com\/-jt_PtjiyaaU\/W9JCy8aRAtI\/AAAAAAAAZI4\/1vYXlGGNPzwOyvi6Jm6uohOvpGu-_Al0ACLcBGAs\/s400\/que%2Bel%2Bcielo%2Bla%2Bjuzgue%2B2.jpg\" title=\"que-el-cielo-la-juzgue-1945\" width=\"400\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv style=\"background-color: white; display: inline; margin-top: 6px;\"\u003E\u003Cdiv style=\"color: #1d2129; text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cu\u003EFrase para recordar:\u003C\/u\u003E \"Las personas que uno ama nunca mueren.\"\u003Cbr \/\u003E\u003Cbr \/\u003ETítulo original:\u0026nbsp;\u003Cspan style=\"text-align: start;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003ELeave Her to Heaven.\u003C\/span\u003E\u003C\/span\u003E\u003Cbr \/\u003E\u003Cbr \/\u003EDirector:\u0026nbsp;\u003Cspan itemprop=\"name\" style=\"display: inline-block; text-align: start;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003EJohn M. Stahl.\u003C\/span\u003E\u003C\/span\u003E\u003Cbr \/\u003E\u003Cbr \/\u003E\u003Cspan style=\"text-align: start;\"\u003EIntérpretes:\u0026nbsp;\u003C\/span\u003E\u003C\/span\u003E\u003C\/b\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cb\u003E\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"display: inline-block; text-align: start;\"\u003E\u003Cspan itemprop=\"name\" style=\"display: inline-block;\"\u003EGene Tierney\u003C\/span\u003E,\u003C\/span\u003E\u003Cspan style=\"text-align: start;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"display: inline-block; text-align: start;\"\u003E\u003Cspan itemprop=\"name\" style=\"display: inline-block; text-decoration-line: none;\"\u003ECornel Wilde\u003C\/span\u003E,\u003C\/span\u003E\u003Cspan style=\"text-align: start;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"display: inline-block; text-align: start;\"\u003E\u003Cspan itemprop=\"name\" style=\"display: inline-block; text-decoration-line: none;\"\u003EJeanne Crain\u003C\/span\u003E,\u003C\/span\u003E\u003Cspan style=\"text-align: start;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"display: inline-block; text-align: start;\"\u003E\u003Cspan itemprop=\"name\" style=\"display: inline-block; text-decoration-line: none;\"\u003EVincent Price\u003C\/span\u003E,\u003C\/span\u003E\u003Cspan style=\"text-align: start;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"display: inline-block; text-align: start;\"\u003E\u003Cspan itemprop=\"name\" style=\"display: inline-block; text-decoration-line: none;\"\u003EMary Philips\u003C\/span\u003E,\u003C\/span\u003E\u003Cspan style=\"text-align: start;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"display: inline-block; text-align: start;\"\u003E\u003Cspan itemprop=\"name\" style=\"display: inline-block; text-decoration-line: none;\"\u003ERay Collins\u003C\/span\u003E,\u0026nbsp;\u003C\/span\u003E\u003Cspan style=\"text-align: start;\"\u003E\u003C\/span\u003E\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"display: inline-block; text-align: start;\"\u003E\u003Cspan itemprop=\"name\" style=\"display: inline-block; text-decoration-line: none;\"\u003EGene Lockhart\u003C\/span\u003E,\u003C\/span\u003E\u003Cspan style=\"text-align: start;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"display: inline-block; text-align: start;\"\u003E\u003Cspan itemprop=\"name\" style=\"display: inline-block; text-decoration-line: none;\"\u003EReed Hadley\u003C\/span\u003E,\u003C\/span\u003E\u003Cspan style=\"text-align: start;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"display: inline-block; text-align: start;\"\u003E\u003Cspan itemprop=\"name\" style=\"display: inline-block; text-decoration-line: none;\"\u003EDarryl Hickman\u003C\/span\u003E,\u003C\/span\u003E\u003Cspan style=\"text-align: start;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"display: inline-block; text-align: start;\"\u003E\u003Cspan itemprop=\"name\" style=\"display: inline-block; text-decoration-line: none;\"\u003EChill Wills.\u003C\/span\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: start;\"\u003E\u003Cb\u003E\u003Cbr \/\u003E\u003C\/b\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: start;\"\u003E\u003Cbr \/\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: center;\"\u003E\u0026nbsp;\u003Cb\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cu\u003ETrailer:\u003C\/u\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/div\u003E\u003Cb\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/b\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ciframe allowfullscreen=\"\" class=\"YOUTUBE-iframe-video\" data-thumbnail-src=\"https:\/\/i.ytimg.com\/vi\/j3b3N6dfh84\/0.jpg\" frameborder=\"0\" height=\"266\" src=\"https:\/\/www.youtube.com\/embed\/j3b3N6dfh84?feature=player_embedded\" width=\"320\"\u003E\u003C\/iframe\u003E\u003C\/div\u003E\u003Cb\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003Cspan style=\"color: #660000;\"\u003EReseña escrita por Marilyn Rodríguez\u003C\/span\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/div\u003E"},"link":[{"rel":"replies","type":"application/atom+xml","href":"https:\/\/www.lasmejorespeliculasdelahistoriadelcine.com\/feeds\/5075030307967908679\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"https:\/\/www.blogger.com\/comment.g?blogID=2858312765972044065\u0026postID=5075030307967908679\u0026isPopup=true","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/2858312765972044065\/posts\/default\/5075030307967908679"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/2858312765972044065\/posts\/default\/5075030307967908679"},{"rel":"alternate","type":"text/html","href":"https:\/\/www.lasmejorespeliculasdelahistoriadelcine.com\/2018\/10\/que-el-cielo-la-juzgue-amores-posesivos.html","title":"QUE EL CIELO LA JUZGUE (1945). Amores posesivos."}],"author":[{"name":{"$t":"Jesús"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/07128994698708366703"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/2.bp.blogspot.com\/-q3nvj12UAz8\/W9JB-3rmuOI\/AAAAAAAAZIo\/4nS8RtjYmVUwRqEPsn7Qrw8numKQY_Y-QCLcBGAs\/s72-c\/que%2Bel%2Bcielo%2Bla%2Bjuzgue%2Bcartel.jpg","height":"72","width":"72"},"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-2858312765972044065.post-8299047709303285802"},"published":{"$t":"2018-03-31T20:41:00.001+01:00"},"updated":{"$t":"2018-03-31T20:41:34.394+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Agnes Moorehead"},{"scheme":"http://www.blogger.com/atom/ns#","term":"años 40"},{"scheme":"http://www.blogger.com/atom/ns#","term":"drama"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Eduardo Ciannelli"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Francisco Javier Arco Pérez"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Joan Lorring"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Martin Gabel"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Robert Cummings"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Susan Hayward"}],"title":{"type":"text","$t":"VIVIENDO EL PASADO (1947) La primera y única película de Martin Gabel."},"content":{"type":"html","$t":"\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/4.bp.blogspot.com\/-roisHZQCFos\/Wr1iEzW-lII\/AAAAAAAAWUU\/1xnifwFpBkgejCa46eYKPT1KyWgHfjqkwCLcBGAs\/s1600\/viviendo%2Bel%2Bpasado%2Bcartel.jpg\" imageanchor=\"1\" style=\"clear: left; float: left; margin-bottom: 1em; margin-right: 1em;\"\u003E\u003Cimg alt=\"viviendo-el-pasado\" border=\"0\" data-original-height=\"350\" data-original-width=\"220\" height=\"320\" src=\"https:\/\/4.bp.blogspot.com\/-roisHZQCFos\/Wr1iEzW-lII\/AAAAAAAAWUU\/1xnifwFpBkgejCa46eYKPT1KyWgHfjqkwCLcBGAs\/s320\/viviendo%2Bel%2Bpasado%2Bcartel.jpg\" title=\"viviendo-el-pasado-1947\" width=\"201\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cdiv align=\"JUSTIFY\"\u003E\u003Cspan style=\"font-family: inherit; font-size: small;\"\u003E\u003Cspan style=\"color: black;\"\u003EÚnica película dirigida por el actor\u0026nbsp;\u003C\/span\u003E\u003Cspan style=\"color: black;\"\u003E\u003Cb\u003EMartin Gabel\u003C\/b\u003E\u003C\/span\u003E\u003Cspan style=\"color: black;\"\u003E, habitual secundario en films tan populares como\u0026nbsp;\u003C\/span\u003E\u003Cspan style=\"color: black;\"\u003E\u003Cb\u003EMarnie, la ladrona (Marnie, Alfred Hitchcock, 1964)\u003C\/b\u003E\u003C\/span\u003E\u003Cspan style=\"color: black;\"\u003E\u0026nbsp;o\u0026nbsp;\u003C\/span\u003E\u003Cspan style=\"color: black;\"\u003E\u003Cb\u003EPrimera plana (The Front Page, Billy Wilder, 1974)\u003C\/b\u003E\u003C\/span\u003E\u003Cspan style=\"color: black;\"\u003E, y un caso muy parecido al de\u0026nbsp;\u003C\/span\u003E\u003Cspan style=\"color: black;\"\u003E\u003Cb\u003ECharles Laughton\u003C\/b\u003E\u003C\/span\u003E\u003Cspan style=\"color: black;\"\u003E\u0026nbsp;con\u0026nbsp;\u003C\/span\u003E\u003Ca href=\"http:\/\/www.lasmejorespeliculasdelahistoriadelcine.com\/2010\/03\/la-noche-del-cazador-1955.html\"\u003E\u003Cspan style=\"color: black;\"\u003E\u003Cb\u003ELa noche del cazador (The night of the hunter, 1955)\u003C\/b\u003E\u003C\/span\u003E\u003C\/a\u003E\u003Cspan style=\"color: black;\"\u003E\u0026nbsp;por varios motivos: en ambos casos se trata de una ópera prima resuelta con maestría pero sin contar las respectivas carreras de sus realizadores con continuidad en el tiempo debido al mal funcionamiento en taquilla. Al igual que en el mítico film de Laughton, aunque nos encontremos ante un drama, la atmósfera fantástica se apodera del relato mediante un uso de luces y sombras casi expresionista, en este caso gracias a la sugerente fotografía en blanco y negro de Hal Mohr.\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv align=\"JUSTIFY\" style=\"margin-bottom: 0cm;\"\u003E\u003Cdiv align=\"JUSTIFY\" style=\"margin-bottom: 0cm;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cspan style=\"color: black;\"\u003EBasada en la novela corta de\u0026nbsp;\u003C\/span\u003E\u003Cspan style=\"color: black;\"\u003E\u003Cb\u003EHenry James\u003C\/b\u003E\u003C\/span\u003E\u003Cspan style=\"color: black;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan style=\"color: black;\"\u003E\"Los papeles de Aspern\" (The Aspern Papers, 1889), la película de\u0026nbsp;\u003C\/span\u003E\u003Cspan style=\"color: black;\"\u003E\u003Cb\u003EMartin Gabel\u003C\/b\u003E\u003C\/span\u003E\u003Cspan style=\"color: black;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan style=\"color: black;\"\u003Esupone un precedente de\u0026nbsp;\u003C\/span\u003E\u003Cspan style=\"color: black;\"\u003E\u003Cb\u003EThe Innocents (Jack Clayton, 1961)\u003C\/b\u003E\u003C\/span\u003E\u003Cspan style=\"color: black;\"\u003E, no solo por la base literaria de una obra de Henry James en ambos films, sino por el protagonismo de una lóbrega mansión que ejerce un extaño magnetismo en sus moradores, tal y como le sucedía al personaje de\u0026nbsp;\u003C\/span\u003E\u003Cspan style=\"color: black;\"\u003E\u003Cb\u003EDeborah Kerr\u003C\/b\u003E\u003C\/span\u003E\u003Cspan style=\"color: black;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan style=\"color: black;\"\u003Een la magnífica película de Clayton.\u003C\/span\u003E\u003C\/span\u003E  \u003C\/div\u003E\u003Cspan style=\"font-family: \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u003Cspan lang=\"\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003Cbr \/\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/4.bp.blogspot.com\/-nIIkU2X7FrQ\/Wr1iPBMj4II\/AAAAAAAAWUY\/UlhnBPa7ClkLUGjhzjUzlYQelFLU54eKwCLcBGAs\/s1600\/viviendo%2Bel%2Bpasado%2B1.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg alt=\"viviendo-el-pasado\" border=\"0\" data-original-height=\"702\" data-original-width=\"960\" height=\"292\" src=\"https:\/\/4.bp.blogspot.com\/-nIIkU2X7FrQ\/Wr1iPBMj4II\/AAAAAAAAWUY\/UlhnBPa7ClkLUGjhzjUzlYQelFLU54eKwCLcBGAs\/s400\/viviendo%2Bel%2Bpasado%2B1.jpg\" title=\"viviendo-el-pasado-1947\" width=\"400\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cbr \/\u003E\u003C\/div\u003E\u003Cdiv align=\"JUSTIFY\" style=\"margin-bottom: 0cm;\"\u003E\u003Cdiv align=\"JUSTIFY\"\u003E\u003Cspan style=\"color: black; font-family: inherit;\"\u003EUn joven editor, Lewis Venable (\u003Cb\u003ERobert Cummings\u003C\/b\u003E), viaja de Nueva York a Venecia al enterarse gracias a Charles Russell (John Archer), un poeta en decadencia, de que Juliana Bordereau (\u003Cb\u003EAgnes Moorehead\u003C\/b\u003E), la amada del famoso poeta Jeffrey Ashton, sigue aún con vida aunque cuenta con ciento cinco años y se encuentra en un delicado estado de salud. Lewis es un amante de la literatura antigua y el motivo de su viaje no es otro que encontrar las cartas que el poeta escribió a Juliana en su juventud, ya que gracias a ello puede obtener un sonado éxito editorial. Para no levantar sospechas, solicita hospedarse en la mansión de Juliana bajo un nombre falso y el pretexto de encontrar un sitio tranquilo donde poder terminar su próxima novela. A pesar de no contar con el visto bueno de Tina Bordereau (\u003Cb\u003ESusan Hayward\u003C\/b\u003E), la apática sobrina de Juliana, y de tener que pagar un alto precio por los meses de hospedaje (además de un intento de soborno por parte de Charles), Lewis acepta el trato, guiado por el interés en las cartas y haciendo caso omiso a los consejos del párroco del lugar, el Padre Rinaldo (\u003Cb\u003EEduardo Ciannelli\u003C\/b\u003E), quien le advierte de que su presencia en la casa puede alterar \"el universo propio\" que han creado tía y sobrina.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv align=\"JUSTIFY\" style=\"margin-bottom: 0cm;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cbr \/\u003E\u003Cdiv align=\"JUSTIFY\" style=\"margin-bottom: 0cm;\"\u003E\u003Cspan style=\"color: black; font-family: inherit;\"\u003ETan evocadora premisa parte de una historia real, ya que la novela \"Los papeles de Aspern\" de Henry James recoge una anécdota que llegó a oídos del autor: en 1887 James había conocido en Florencia a la condesa Gamba, último romance de Lord Byron, que conservaba unas cartas de amor del poeta. James mostró interés por conocer el contenido de estas cartas, pero la condesa se negó a permitirle leerlas. Aproximadamente por la misma época tuvo noticias de la historia de un bostoniano llamado Silsbee, apasionado admirador del poeta romántico\u0026nbsp;\u003Cb\u003EPercy B. Shelley\u003C\/b\u003E, que se hospedó en casa de la anciana Claire Clairmont, también amante de Byron, con la esperanza de apoderarse de cartas de Shelley y de Byron.\u003C\/span\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv align=\"JUSTIFY\" style=\"margin-bottom: 0cm;\"\u003E\u003Cspan style=\"font-family: \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cbr \/\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/4.bp.blogspot.com\/-8u2VLjtvVTc\/Wr1icu9EKRI\/AAAAAAAAWUc\/pq-rXkk2XNIbwVay_7irPHrnGPWuhRS8ACLcBGAs\/s1600\/viviendo%2Bel%2Bpasado%2B2.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg alt=\"viviendo-el-pasado\" border=\"0\" data-original-height=\"702\" data-original-width=\"960\" height=\"292\" src=\"https:\/\/4.bp.blogspot.com\/-8u2VLjtvVTc\/Wr1icu9EKRI\/AAAAAAAAWUc\/pq-rXkk2XNIbwVay_7irPHrnGPWuhRS8ACLcBGAs\/s400\/viviendo%2Bel%2Bpasado%2B2.jpg\" title=\"viviendo-el-pasado-1947\" width=\"400\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cbr \/\u003E\u003C\/div\u003E\u003Cdiv align=\"JUSTIFY\" style=\"margin-bottom: 0cm;\"\u003E\u003Cdiv align=\"JUSTIFY\"\u003E\u003Cspan style=\"color: black; font-family: inherit;\"\u003ETodo ese oscuro mundo del Romanticismo inglés está perfectamente retratado en Viviendo el pasado, donde destaca el carácter gótico de su escenografía; la inmensa mansión de las Bordereau, de amplias estancias, interminables escaleras y pasillos repletos de telarañas que los hábiles movimientos de cámara nos muestran en todo momento, mediante un exacto seguimiento de los personajes al ambular de una habitación a otra; la confusión entre pasado y presente, que escenifican la anciana Juliana y la joven Tina, que tal y como asevera Lewis Venable en un momento de la película: \"Debe de haber varias generaciones entre ustedes, es un caso muy extraño para ser tía y sobrina\".\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv align=\"JUSTIFY\" style=\"margin-bottom: 0cm;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cbr \/\u003E\u003Cdiv align=\"JUSTIFY\" style=\"margin-bottom: 0cm;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cspan style=\"color: black;\"\u003ESe trata de una producción de Walter Wanger (1) para Universal, muy en la línea de otros films fantásticos de los años cuarenta como\u0026nbsp;\u003C\/span\u003E\u003Cspan style=\"color: black;\"\u003E\u003Cspan style=\"font-size: small;\"\u003E\u003Cb\u003EEl fantasma y la señora Muir (The Ghost and Mrs. Muir, Joseph L. Mankiewicz, 1947)\u003C\/b\u003E\u003C\/span\u003E\u003C\/span\u003E\u003Cspan style=\"color: black;\"\u003E\u003Cspan style=\"font-size: small;\"\u003E\u0026nbsp;o\u0026nbsp;\u003C\/span\u003E\u003C\/span\u003E\u003Ca href=\"http:\/\/www.lasmejorespeliculasdelahistoriadelcine.com\/2015\/04\/jennie-1948-misterio-y-poesia.html\"\u003E\u003Cspan style=\"color: black;\"\u003E\u003Cspan style=\"font-size: small;\"\u003E\u003Cb\u003EJennie (Portrait of Jennie, William Dieterle,1948)\u003C\/b\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/a\u003E\u003Cspan style=\"color: black;\"\u003E\u003Cspan style=\"font-size: small;\"\u003E, y por supuesto muy cercana en espíritu al ciclo de Serie B de Jacques Tourneur y Val Lewton para la RKO, pero por desgracia mucho más desconocida y olvidada (2), aún teniendo una calidad similar a todos los magníficos films antes citados. Destaca el trabajo de maquillaje para \"envejecer\" a Agnes Moorehead en su rol de Juliana Bordereau, creando un enigmático personaje que la cámara apenas nos muestra con claridad, casi siempre mediante travellings laterales , muy pocos primeros planos, pero sin embargo con un destacado trabajo de modulación de su voz por parte de la actriz. La música, muy envolvente, firmada por\u0026nbsp;\u003C\/span\u003E\u003C\/span\u003E\u003Cspan style=\"color: black;\"\u003E\u003Cspan style=\"font-size: small;\"\u003E\u003Cb\u003EDaniele Amfitheatrof\u003C\/b\u003E\u003C\/span\u003E\u003C\/span\u003E\u003Cspan style=\"color: black;\"\u003E\u003Cspan style=\"font-size: small;\"\u003E\u0026nbsp;conecta con el protagonista y su fascinación por el pasado, al declarar el joven editor cuando escucha a Tina tocando el piano a lo lejos: \"Parecía música sacada de otro siglo\".\u003C\/span\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv align=\"JUSTIFY\" style=\"margin-bottom: 0cm;\"\u003E\u003Cspan style=\"font-family: \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u003Cspan lang=\"\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003Cbr \/\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/2.bp.blogspot.com\/-t-PXJo-glkM\/Wr1imExqiZI\/AAAAAAAAWUk\/68WCXjl0tP8XNc78eGe_CJJrtd922sPpwCLcBGAs\/s1600\/viviendo%2Bel%2Bpasado%2B3.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg alt=\"viviendo-el-pasado\" border=\"0\" data-original-height=\"702\" data-original-width=\"960\" height=\"292\" src=\"https:\/\/2.bp.blogspot.com\/-t-PXJo-glkM\/Wr1imExqiZI\/AAAAAAAAWUk\/68WCXjl0tP8XNc78eGe_CJJrtd922sPpwCLcBGAs\/s400\/viviendo%2Bel%2Bpasado%2B3.jpg\" title=\"viviendo-el-pasado-1947\" width=\"400\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cbr \/\u003E\u003C\/div\u003E\u003Cdiv align=\"JUSTIFY\" style=\"margin-bottom: 0cm;\"\u003E\u003Cdiv align=\"JUSTIFY\"\u003E\u003Cspan style=\"font-family: inherit; font-size: small;\"\u003E\u003Cspan style=\"color: black;\"\u003ENarrada en flashback por\u0026nbsp;\u003C\/span\u003E\u003Cspan style=\"color: black;\"\u003E\u003Cb\u003ELewis Venable\u003C\/b\u003E\u003C\/span\u003E\u003Cspan style=\"color: black;\"\u003E\u0026nbsp;mediante una elegante evocación literaria, por medio de una romántica escenografía y los movimientos de cámara; el film se abre con un suntuoso travelling por la biblioteca del editor hasta detenerse en un hueco entre la bibliografía de\u0026nbsp;\u003C\/span\u003E\u003Cspan style=\"color: black;\"\u003E\u003Cb\u003EJeffrey Ashton\u003C\/b\u003E\u003C\/span\u003E\u003Cspan style=\"color: black;\"\u003E, de algún modo incompleta hasta que se logren editar sus cartas de amor. La fascinación por la literatura del poeta y todo lo que tenga que ver con su vida, está en el centro de las acciones de Venable; desde sus conversaciones y transacciones monetarias con la anciana Juliana, hasta su enamoramiento con Tina, quien no deja de ser un trasunto de Juliana durante su juventud. Dos historias de amor en distintos espacios temporales: con final feliz la que se desarrolla en el presente, y con final trágico y misterioso la que nos descubre ese oscuro pasado que parece no haber abandonado nunca la mansión, incluído el jardín, donde no crece la hierba por algún extraño fenómeno. Aunque no estemos del todo ante una película sobre casas encantadas, el palacio de las Bordereau se convierte en absoluto protagonista, con un delicado gusto por la decoración escenográfica que no anda muy lejos del Max Ophüls de\u0026nbsp;\u003C\/span\u003E\u003Cspan style=\"color: black;\"\u003E\u003Cb\u003ECarta de una desconocida (Letter from an Unknown Woman, 1948)\u003C\/b\u003E\u003C\/span\u003E\u003Cspan style=\"color: black;\"\u003E, otro clásico del cine de los años cuarenta.\u0026nbsp;\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cspan style=\"font-family: \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u003Cspan lang=\"\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003Cbr \/\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/4.bp.blogspot.com\/-Nw84TqjJgo8\/Wr1iyeNlltI\/AAAAAAAAWUs\/TZnB2S17tVYPm0KkQD5MRUMyqjJINu-agCLcBGAs\/s1600\/viviendo%2Bel%2Bpasado%2B4.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg alt=\"viviendo-el-pasado\" border=\"0\" data-original-height=\"702\" data-original-width=\"960\" height=\"292\" src=\"https:\/\/4.bp.blogspot.com\/-Nw84TqjJgo8\/Wr1iyeNlltI\/AAAAAAAAWUs\/TZnB2S17tVYPm0KkQD5MRUMyqjJINu-agCLcBGAs\/s400\/viviendo%2Bel%2Bpasado%2B4.jpg\" title=\"viviendo-el-pasado-1947\" width=\"400\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cbr \/\u003E\u003Cdiv align=\"JUSTIFY\"\u003E\u003Cspan style=\"color: black;\"\u003E\u003Cspan style=\"font-family: inherit; font-size: small;\"\u003E\u003Cb\u003ETítulo original:\u0026nbsp;\u003Cspan style=\"background: rgb(255, 255, 255);\"\u003EThe Lost Moment.\u003C\/span\u003E\u003C\/b\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv align=\"JUSTIFY\" style=\"margin-bottom: 0cm;\"\u003E\u003Cspan style=\"color: black;\"\u003E\u003Cspan style=\"font-family: inherit; font-size: small;\"\u003E\u003Cb\u003E\u003Cbr \/\u003EDirector:\u0026nbsp;\u003Cspan style=\"background: #ffffff;\"\u003EMartin Gabel.\u003C\/span\u003E\u003C\/b\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv align=\"JUSTIFY\" style=\"margin-bottom: 0cm;\"\u003E\u003Cspan style=\"color: black;\"\u003E\u003Cspan style=\"font-family: inherit; font-size: small;\"\u003E\u003Cb\u003E\u003Cbr \/\u003EIntérpretes:\u0026nbsp;\u003Cspan style=\"background: rgb(255, 255, 255);\"\u003ERobert Cummings,\u0026nbsp;Susan Hayward,\u0026nbsp;Agnes Moorehead,\u0026nbsp;Joan Lorring,Eduardo Ciannelli,\u0026nbsp;John Archer,\u0026nbsp;Frank Puglia,\u0026nbsp;Minerva Urecal,\u0026nbsp;William Edmunds.\u003C\/span\u003E\u003C\/b\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cb\u003E\u003Cspan style=\"font-family: \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u003Cspan lang=\"\" style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/b\u003E\u003Cbr \/\u003E\u003Cdiv style=\"text-align: center;\"\u003E\u003Cdiv style=\"text-align: center;\"\u003E\u003Cspan style=\"color: black;\"\u003E\u003Cspan style=\"font-size: small;\"\u003E\u003Cb\u003E\u003Cu\u003E\u003Cspan style=\"background: rgb(255, 255, 255);\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003ETrailer:\u003C\/span\u003E\u003C\/span\u003E\u003C\/u\u003E\u003C\/b\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u003Cspan lang=\"\" style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/span\u003E\u003Cbr \/\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ciframe allowfullscreen=\"\" class=\"YOUTUBE-iframe-video\" data-thumbnail-src=\"https:\/\/i.ytimg.com\/vi\/Ckd7WzDnAiM\/0.jpg\" frameborder=\"0\" height=\"266\" src=\"https:\/\/www.youtube.com\/embed\/Ckd7WzDnAiM?feature=player_embedded\" width=\"320\"\u003E\u003C\/iframe\u003E\u003C\/div\u003E\u003Cbr \/\u003E\u003Cdiv align=\"JUSTIFY\"\u003E\u003Cspan style=\"color: black;\"\u003E\u003Cspan style=\"font-size: small;\"\u003E\u003Cb\u003E\u003Cspan style=\"color: #660000; font-family: inherit;\"\u003E\u003Cspan style=\"background: rgb(255, 255, 255);\"\u003EReseña escrita por Francisco Javier Arco Pérez\u003C\/span\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv align=\"JUSTIFY\" style=\"margin-bottom: 0cm;\"\u003E\u003Cbr \/\u003E\u003C\/div\u003E\u003Cdiv align=\"JUSTIFY\" style=\"margin-bottom: 0cm;\"\u003E\u003Cspan style=\"font-family: \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u003Cspan lang=\"\"\u003E(1) Los escasos pero magníficos decorados, así como la modesta  recreación de Venecia y sus canales, nos sugieren que, aunque distribuido por Universal, este film de Walter Wanger Pictures se trate de una producción de división B, tan en boga por aquellos años. Walter Wanger fue productor en títulos importantes como La Diligencia de John Ford (Stagecoach, 1939), Perversidad de Fritz Lang (Scarlet Street, 1945), La invasión de los ladrones de cuerpos de Don Siegel (Invasion of the Body Snatchers, 1956) o Cleopatra (Joseph L. Mankiewicz, 1963), entre muchos otros.\u003C\/span\u003E\u003C\/span\u003E\u003Cbr \/\u003E\u003Cspan style=\"font-family: \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u003Cspan lang=\"\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv align=\"JUSTIFY\" style=\"margin-bottom: 0cm;\"\u003E\u003Cspan style=\"font-family: \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u003Cspan lang=\"\"\u003E(2) Concretamente en España se ha podido ver en la 2 de TVE y como casi siempre, la revista Dirigido se ha encargado de recordarla en varias ocasiones, concretamente en el número 279 con un artículo firmado por Jose María Latorre y en el número 404 con el especial \"Rare Cult Movies\", con un artículo firmado por Juan Carlos Vizcaíno Martínez.\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E"},"link":[{"rel":"replies","type":"application/atom+xml","href":"https:\/\/www.lasmejorespeliculasdelahistoriadelcine.com\/feeds\/8299047709303285802\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"https:\/\/www.blogger.com\/comment.g?blogID=2858312765972044065\u0026postID=8299047709303285802\u0026isPopup=true","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/2858312765972044065\/posts\/default\/8299047709303285802"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/2858312765972044065\/posts\/default\/8299047709303285802"},{"rel":"alternate","type":"text/html","href":"https:\/\/www.lasmejorespeliculasdelahistoriadelcine.com\/2018\/03\/viviendo-el-pasado-la-primera-y-unica-pelicula-de-martin-gabel.html","title":"VIVIENDO EL PASADO (1947) La primera y única película de Martin Gabel."}],"author":[{"name":{"$t":"Jesús"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/07128994698708366703"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/4.bp.blogspot.com\/-roisHZQCFos\/Wr1iEzW-lII\/AAAAAAAAWUU\/1xnifwFpBkgejCa46eYKPT1KyWgHfjqkwCLcBGAs\/s72-c\/viviendo%2Bel%2Bpasado%2Bcartel.jpg","height":"72","width":"72"},"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-2858312765972044065.post-1700169233520508531"},"published":{"$t":"2018-01-11T12:25:00.000+00:00"},"updated":{"$t":"2018-01-11T12:25:34.631+00:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Ann Doran"},{"scheme":"http://www.blogger.com/atom/ns#","term":"años 40"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Barbara Stanwyck"},{"scheme":"http://www.blogger.com/atom/ns#","term":"drama"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Edward Arnold"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Frank Capra"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Gary Cooper"},{"scheme":"http://www.blogger.com/atom/ns#","term":"James Gleason"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Marilyn Rodríguez"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Walter Brennan"}],"title":{"type":"text","$t":"JUAN NADIE (1940). La fábula social de Frank Capra."},"content":{"type":"html","$t":"\u003Cdiv style=\"background-color: white; color: #1d2129; margin-bottom: 6px; margin-top: 6px; text-align: justify;\"\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/4.bp.blogspot.com\/-cFiVyt99dSY\/WlVMRYCBN7I\/AAAAAAAAVeQ\/fTsjz4TAUcYwT-XrCxh8xmC-omSshLtOQCLcBGAs\/s1600\/juan%2Bnadie%2Bcartel.jpg\" imageanchor=\"1\" style=\"clear: left; float: left; margin-bottom: 1em; margin-right: 1em;\"\u003E\u003Cimg alt=\"juan-nadie\" border=\"0\" data-original-height=\"847\" data-original-width=\"516\" height=\"320\" src=\"https:\/\/4.bp.blogspot.com\/-cFiVyt99dSY\/WlVMRYCBN7I\/AAAAAAAAVeQ\/fTsjz4TAUcYwT-XrCxh8xmC-omSshLtOQCLcBGAs\/s320\/juan%2Bnadie%2Bcartel.jpg\" title=\"juan-nadie-1940\" width=\"193\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cspan style=\"font-family: inherit;\"\u003ELos trabajadores de un periódico son despedidos casi en su totalidad cuando un rico magnate lo compra. Una avispada periodista publica un montaje en su último artículo en el periódico: una carta donde uno de los empleados despedidos anuncia su suicidio. La carta lleva en su firma el nombre de Juan Nadie. El alcance del artículo es tal, que el periódico se ve en la necesidad de mantener el engaño y crear un Juan Nadie, por lo que encontrarán a un vagabundo que pasará a convertirse en el personaje más popular del momento.\u003C\/span\u003E\u003Cbr \/\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cspan style=\"font-family: inherit;\"\u003ELa película comienza con unos planos que muestran a los trabajadores de los Estados Unidos de la época: agricultores, mineros, telefonistas…hasta llegar a una sala llena de recién nacidos. Después, los nuevos editores de un periódico promueven un cambio de estilo en la empresa y proceden a despedir a buena parte de sus empleados. Ann Mitchell (\u003C\/span\u003E\u003Cb style=\"font-family: inherit;\"\u003EBarbara Stanwyck\u003C\/b\u003E\u003Cspan style=\"font-family: inherit;\"\u003E) una sagaz periodista, antes de ser despedida se inventa la carta de protesta de un ciudadano norteamericano en paro desde hace cuatro años, que firma Juan Nadie. Y ante el escándalo y trascendencia, deciden crear a este personaje que se rebelará contra el sistema establecido.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"background-color: white; color: #1d2129; margin-bottom: 6px; margin-top: 6px; text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"background-color: white; color: #1d2129; margin-bottom: 6px; margin-top: 6px; text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003ECon guión de \u003Cb\u003ERobert Riskin\u003C\/b\u003E, adaptando la historia de \u003Cb\u003ERichard Connell\u003C\/b\u003E y \u003Cb\u003ERobert Presnell S\u003C\/b\u003Er, estamos ante otra de las muchas obras que nos dejó el maestro \u003Cb\u003EFrank Capra\u003C\/b\u003E, estrenada en 1941 y con guion de Robert Riskin, Juan Nadie refleja el ambiente de la Depresión en USA. Aquí, como en \"\u003Cb\u003E\u003Ca href=\"http:\/\/www.lasmejorespeliculasdelahistoriadelcine.com\/2015\/10\/caballero-sin-espada-james-stewart-frente-la-corrupcion.html\"\u003ECaballero sin espada (1939)\u003C\/a\u003E\u003C\/b\u003E\", es otro representante del americano medio y de la mayoría silenciosa del país, que se verá obligado a luchar contra el establishment, y el cual, en su fatigoso combate quijotesco, llegará al borde del suicidio y encontrará la redención a través del amor de la protagonista y del sentido común.\u0026nbsp;\u003C\/span\u003E\u003Cspan style=\"font-family: inherit;\"\u003EEl mundo de la prensa, de las finanzas y de la política, queda aquí vapuleado con creces, dentro del aire populista de su autor, que a la vez primaba en aquella segunda época roosveltiana.\u003C\/span\u003E\u003Cbr \/\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cbr \/\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/2.bp.blogspot.com\/-Ekv6q-53MzU\/WlVMb-16evI\/AAAAAAAAVeU\/PMzgnjjxrAIXj2w6uPgsqzELtu-G_lyNACLcBGAs\/s1600\/juan%2Bnadie%2B1.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg alt=\"juan-nadie\" border=\"0\" data-original-height=\"382\" data-original-width=\"550\" height=\"277\" src=\"https:\/\/2.bp.blogspot.com\/-Ekv6q-53MzU\/WlVMb-16evI\/AAAAAAAAVeU\/PMzgnjjxrAIXj2w6uPgsqzELtu-G_lyNACLcBGAs\/s400\/juan%2Bnadie%2B1.jpg\" title=\"juan-nadie-1940\" width=\"400\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cbr \/\u003E\u003C\/div\u003E\u003Cdiv style=\"background-color: white; color: #1d2129; margin-bottom: 6px; margin-top: 6px; text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003EEl duelo interpretativo sentimental entre la ya veterana \u003Cb\u003EBarbara Stanwyck\u003C\/b\u003E y el entonces galán \u003Cb\u003EGary Cooper\u003C\/b\u003E, que ya había interpretado al Mr. Deeds de \"\u003Cb\u003EEl secreto de vivir\u003C\/b\u003E\" resulta sencillamente encantador y el siempre indispensable \u003Cb\u003EWalter Brennan\u003C\/b\u003E explicando lo que es ser un idiota en los tiempos modernos. En manos de otro director, el final quizá se hubiera resulto de manera distinta, pero Capra apuesta por el final abierto, cruel pero relativamente esperanzador. Resulta una obra muy en la línea Capra, esa línea que se mueve entre la utopía de los sueños y el desencanto de las realidades. Capra nos dejó una serie de maravillosos títulos, fábulas o cuentos morales con un gran poder de atracción y capacidad para que el espectador consiga identificarse con los problemas del héroe, hacer que sean los suyos.\u003C\/span\u003E\u003Cbr \/\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"background-color: white; color: #1d2129; display: inline; margin-top: 6px;\"\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003ESe trata, pues, de una película modélica, excelentemente fotografiada por \u003Cb\u003EGeorge Barnes\u003C\/b\u003E y con momentos inolvidables, como el discurso que mantiene su interés testimonial de crítica al sistema y a sus estamos, sobre todo a los medios de comunicación y su capacidad de influencia sobre la población y, de bastante actualidad en cuanto a los sensacionalismos se refiere. Una deliciosa propuesta, además llena de connotaciones ideológicas.\u003C\/span\u003E\u003Cbr \/\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cbr \/\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/4.bp.blogspot.com\/-HqqoUndT5gw\/WlVMqVBIxjI\/AAAAAAAAVeY\/dmfaEDU39vMIVGApTSX-VSL49z0OxdMzACLcBGAs\/s1600\/juan%2Bnadie%2B2.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg alt=\"juan-nadie\" border=\"0\" data-original-height=\"496\" data-original-width=\"640\" height=\"310\" src=\"https:\/\/4.bp.blogspot.com\/-HqqoUndT5gw\/WlVMqVBIxjI\/AAAAAAAAVeY\/dmfaEDU39vMIVGApTSX-VSL49z0OxdMzACLcBGAs\/s400\/juan%2Bnadie%2B2.jpg\" title=\"juan-nadie-1940\" width=\"400\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cbr \/\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: inherit;\"\u003EFrase para recordar: \"Derribad las vallas y terminaréis con muchos odios y prejuicios, tirad todas las vallas del país y así tendréis un verdadero equipo\".\u003C\/span\u003E\u003C\/b\u003E\u003Cbr \/\u003E\u003Cb\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/b\u003E\u003Cb\u003E\u003Cspan style=\"font-family: inherit;\"\u003ETítulo original:\u0026nbsp;\u003Cspan style=\"background-color: white; text-align: start;\"\u003EMeet John Doe.\u003C\/span\u003E\u003Cbr \/\u003E\u003Cbr \/\u003EDirector:\u0026nbsp;\u003Cspan itemprop=\"name\" style=\"background-color: white; display: inline-block; text-align: start;\"\u003E\u003Cspan style=\"background-color: white;\"\u003EFrank Capra\u003C\/span\u003E.\u003C\/span\u003E\u003Cbr \/\u003E\u003Cbr \/\u003EIntérpretes:\u0026nbsp;\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"background-color: white; display: inline-block; text-align: start;\"\u003E\u003Cspan itemprop=\"name\" style=\"display: inline-block; text-decoration-line: none;\"\u003EGary Cooper\u003C\/span\u003E,\u003C\/span\u003E\u003Cspan style=\"background-color: white; text-align: start;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"background-color: white; display: inline-block; text-align: start;\"\u003E\u003Cspan itemprop=\"name\" style=\"display: inline-block; text-decoration-line: none;\"\u003EBarbara Stanwyck\u003C\/span\u003E,\u003C\/span\u003E\u003Cspan style=\"background-color: white; text-align: start;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"background-color: white; display: inline-block; text-align: start;\"\u003E\u003Cspan itemprop=\"name\" style=\"display: inline-block; text-decoration-line: none;\"\u003EEdward Arnold\u003C\/span\u003E,\u003C\/span\u003E\u003Cspan style=\"background-color: white; text-align: start;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"background-color: white; display: inline-block; text-align: start;\"\u003E\u003Cspan itemprop=\"name\" style=\"display: inline-block; text-decoration-line: none;\"\u003EWalter Brennan\u003C\/span\u003E,\u003C\/span\u003E\u003Cspan style=\"background-color: white; text-align: start;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"background-color: white; display: inline-block; text-align: start;\"\u003E\u003Cspan itemprop=\"name\" style=\"display: inline-block; text-decoration-line: none;\"\u003EJames Gleason\u003C\/span\u003E,\u0026nbsp;\u003C\/span\u003E\u003Cspan style=\"background-color: white; text-align: start;\"\u003E\u003C\/span\u003E\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"background-color: white; display: inline-block; text-align: start;\"\u003E\u003Cspan itemprop=\"name\" style=\"display: inline-block; text-decoration-line: none;\"\u003EAnn Doran.\u003C\/span\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/b\u003E\u003Cbr \/\u003E\u003Cdiv style=\"text-align: center;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cu\u003ETrailer:\u003C\/u\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: center;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/div\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Ciframe allowfullscreen=\"\" class=\"YOUTUBE-iframe-video\" data-thumbnail-src=\"https:\/\/i.ytimg.com\/vi\/9j3gdbdnoEk\/0.jpg\" frameborder=\"0\" height=\"266\" src=\"https:\/\/www.youtube.com\/embed\/9j3gdbdnoEk?feature=player_embedded\" width=\"320\"\u003E\u003C\/iframe\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/div\u003E\u003Cb\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003Cspan style=\"color: #660000;\"\u003EReseña escrita por Marilyn Rodríguez\u003C\/span\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/div\u003E"},"link":[{"rel":"replies","type":"application/atom+xml","href":"https:\/\/www.lasmejorespeliculasdelahistoriadelcine.com\/feeds\/1700169233520508531\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"https:\/\/www.blogger.com\/comment.g?blogID=2858312765972044065\u0026postID=1700169233520508531\u0026isPopup=true","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/2858312765972044065\/posts\/default\/1700169233520508531"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/2858312765972044065\/posts\/default\/1700169233520508531"},{"rel":"alternate","type":"text/html","href":"https:\/\/www.lasmejorespeliculasdelahistoriadelcine.com\/2018\/01\/juan-nadie-la-fabula-social-de-frank-capra.html","title":"JUAN NADIE (1940). La fábula social de Frank Capra."}],"author":[{"name":{"$t":"Jesús"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/07128994698708366703"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/4.bp.blogspot.com\/-cFiVyt99dSY\/WlVMRYCBN7I\/AAAAAAAAVeQ\/fTsjz4TAUcYwT-XrCxh8xmC-omSshLtOQCLcBGAs\/s72-c\/juan%2Bnadie%2Bcartel.jpg","height":"72","width":"72"},"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-2858312765972044065.post-1834086094293944586"},"published":{"$t":"2017-07-16T18:34:00.000+01:00"},"updated":{"$t":"2017-07-16T18:34:22.951+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Ann Blyth"},{"scheme":"http://www.blogger.com/atom/ns#","term":"años 40"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Bruce Bennett"},{"scheme":"http://www.blogger.com/atom/ns#","term":"cine negro"},{"scheme":"http://www.blogger.com/atom/ns#","term":"drama"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Eve Arden"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Jack Carson"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Joan Crawford"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Michael Curtiz"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Pepe Mata"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Zachary Scott"}],"title":{"type":"text","$t":"ALMA EN SUPLICIO (1945). Instinto maternal."},"content":{"type":"html","$t":"\u003Cdiv style=\"background-color: white; color: #1d2129; margin-bottom: 6px; margin-top: 6px;\"\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/4.bp.blogspot.com\/-6HVt8nDff8Y\/WVrIrRSzAEI\/AAAAAAAATMs\/xWKvo2_iiAU4xTdedl5Q4jlz5uVUPYxegCLcBGAs\/s1600\/alma%2Ben%2Bsuplicio%2Bcartel.jpg\" imageanchor=\"1\" style=\"clear: left; float: left; margin-bottom: 1em; margin-right: 1em;\"\u003E\u003Cimg alt=\"alma-en-suplicio\" border=\"0\" data-original-height=\"755\" data-original-width=\"499\" height=\"320\" src=\"https:\/\/4.bp.blogspot.com\/-6HVt8nDff8Y\/WVrIrRSzAEI\/AAAAAAAATMs\/xWKvo2_iiAU4xTdedl5Q4jlz5uVUPYxegCLcBGAs\/s320\/alma%2Ben%2Bsuplicio%2Bcartel.jpg\" title=\"alma-en-suplicio-1945\" width=\"211\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\"\u003Cb\u003EAlma en suplicio\u003C\/b\u003E\" o \"\u003Cb\u003EEl suplicio de una madre\u003C\/b\u003E\", como se le dio a conocer en Latinoamérica, es un espléndido melodrama que arranca con una impactante escena al más puro estilo del cine negro que presagia la gran película que se va a desarrollar a continuación; en ella \u003Cb\u003EMichael Curtiz\u003C\/b\u003E nos deleita con la retrospectiva de un asesinato narrada voz en off a modo de flashback en dos tiempos, uno más largo para desarrollar la historia de Mildred y que además desemboca en el otro, que desvela poco a poco, dosificando magistralmente el suspense siempre acompañado de esa sensación permanente de fatalidad y manteniendo al espectador en vilo hasta la última escena.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv style=\"background-color: white; color: #1d2129; margin-bottom: 6px; margin-top: 6px;\"\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003EBasada en una novela de \u003Cb\u003EJames M. Cain\u003C\/b\u003E, autor de grandes obras del género negro como \"\u003Cb\u003E\u003Ca href=\"http:\/\/www.lasmejorespeliculasdelahistoriadelcine.com\/2012\/06\/perdicion-1944.html\"\u003EPerdición (1944)\u003C\/a\u003E\u003C\/b\u003E\" de Billy Wilder, \"\u003Cb\u003E\u003Ca href=\"http:\/\/www.lasmejorespeliculasdelahistoriadelcine.com\/2015\/08\/retorno-al-pasado-el-clasico-del-cine-negro-de-jacques-tourneur.html\"\u003ERetorno al pasado (1947)\u003C\/a\u003E\u003C\/b\u003E\" de Jacques Tourneur o \"\u003Cb\u003EEl cartero siempre llama dos veces\u003C\/b\u003E\", nos cuenta la historia de Mildred Pierce (titulo original) un ama de casa de clase media dedicada en cuerpo y alma a dar un futuro mejor a sus hijas. Su marido Bert está en el paro y critica sus excesivas atenciones a las niñas, estos enfrentamientos derivarán en la ruptura del matrimonio. Mildred sola y sin oficio no escatimará esfuerzos ni sacrificios para conseguir dar a sus hijas todas las oportunidades que ella nunca tuvo. Esta vez el problema del carácter femenino planteado habitualmente en Cain a través de la relación amorosa, viene dado aquí en una relación materno-filial que magistralmente, Michael Curtiz con su realización sobria y multifacética consigue mantener el adecuado equilibrio entre el drama de suspenso que mantiene a la audiencia en vilo y la conmovedora historia de una heroína motivada por el amor a una hija ingrata, con unos resultados tan sólidos como inquietantes. De verdad que es increíble cómo nos introduce en la narración de la película sin apenas esfuerzo. Ya que hablamos de Curtiz me gustaría decir que es uno de esos directores excepcionales que con el paso del tiempo han obtenido un reconocimiento totalmente merecido.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/2.bp.blogspot.com\/-lRyStp_6a3Q\/WVrJFdJ7efI\/AAAAAAAATMw\/iZj2_Ctiz8g9jE1FC9cGcWa-UFyR8GS9QCLcBGAs\/s1600\/alma%2Ben%2Bsuplicio%2B1.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg alt=\"alma-en-suplicio\" border=\"0\" data-original-height=\"469\" data-original-width=\"600\" height=\"312\" src=\"https:\/\/2.bp.blogspot.com\/-lRyStp_6a3Q\/WVrJFdJ7efI\/AAAAAAAATMw\/iZj2_Ctiz8g9jE1FC9cGcWa-UFyR8GS9QCLcBGAs\/s400\/alma%2Ben%2Bsuplicio%2B1.jpg\" title=\"alma-en-suplicio-1945\" width=\"400\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003EAdemás del magnífico guión, y una dirección de Curtiz espléndida, la fotografía inquietante y atractiva de \u003C\/span\u003E\u003Cb style=\"font-family: inherit;\"\u003EErnest Haller\u003C\/b\u003E\u003Cspan style=\"font-family: inherit;\"\u003E es de lo mejor que he visto en una película en B\/N, francamente soberbio, dando una auténtica lección de juego de luces y sombras inconfundibles de la estética visual de carácter expresionista. Antes de entrar en el colofón final, el de las interpretaciones, que no se me olvide mencionar a \u003C\/span\u003E\u003Cb style=\"font-family: inherit;\"\u003EMax Steiner\u003C\/b\u003E\u003Cspan style=\"font-family: inherit;\"\u003E que con su ambientación musical aporta la magia que aromatiza el cine negro.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv style=\"background-color: white; color: #1d2129; margin-bottom: 6px; margin-top: 6px;\"\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003ETodos y cada uno de los personajes han sido espléndidamente elaborados, beben del fatalismo propio del mejor cine negro y están cargados de matices que los elevan más allá de su mera vis dramática. Hay auténticos momentos estelares entre \u003C\/span\u003E\u003Cb style=\"font-family: inherit;\"\u003EJoan Crawford \u003C\/b\u003E\u003Cspan style=\"font-family: inherit;\"\u003Ey \u003C\/span\u003E\u003Cb style=\"font-family: inherit;\"\u003EAnn Blyth\u003C\/b\u003E\u003Cspan style=\"font-family: inherit;\"\u003E, como madre e hija. Pero quien se come literalmente la pantalla es nuestra protagonista, Mildred Pierce interpretada por una Joan Crawford que se sale en cada escena gracias al gran acierto de los primeros planos, el tratamiento que se le ha dado al rostro es algo extraordinario, ofreciéndonos una profundidad de la mirada muy pocas veces conseguida, de verdad que es para recrearse una y mil veces.\u003C\/span\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv style=\"background-color: white; color: #1d2129; margin-bottom: 6px; margin-top: 6px;\"\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv style=\"background-color: white; color: #1d2129; display: inline; margin-top: 6px;\"\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\"\u003Cb\u003EAlma en suplicio\u003C\/b\u003E\" es una de las mejores películas del cine sobre mujeres, tratando temas tan escabrosos para la época como la educación de los hijos o la emancipación de la mujer con una profunda carga de conciencia social sobre el \"american way of life\". Aparte del melodrama, si os gusta el cine negro, bajo un estupendo guión, una soberbia fotografía y unas actuaciones magníficas (en especial Crawford), \"Alma en suplicio\" no os defraudará.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/3.bp.blogspot.com\/-3z-vqHK7YT0\/WVrJWcNqCvI\/AAAAAAAATM0\/yCzlvRFJY6Int2fQ_twZyPi698cTV5btQCLcBGAs\/s1600\/alma%2Ben%2Bsuplicio%2B2.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg alt=\"alma-en-suplicio\" border=\"0\" data-original-height=\"472\" data-original-width=\"600\" height=\"313\" src=\"https:\/\/3.bp.blogspot.com\/-3z-vqHK7YT0\/WVrJWcNqCvI\/AAAAAAAATM0\/yCzlvRFJY6Int2fQ_twZyPi698cTV5btQCLcBGAs\/s400\/alma%2Ben%2Bsuplicio%2B2.jpg\" title=\"alma-en-suplicio-1945\" width=\"400\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cbr \/\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cb\u003E\u003Cspan style=\"background-color: white;\"\u003ETítulo original:\u0026nbsp;\u003C\/span\u003E\u003Cspan style=\"background-color: white;\"\u003EMildred Pierce.\u003C\/span\u003E\u003C\/b\u003E\u003C\/span\u003E\u003Cbr \/\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cb\u003E\u003Cspan style=\"background-color: white;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/span\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cb\u003E\u003Cspan style=\"background-color: white;\"\u003EDirector: Michael Curtiz.\u003C\/span\u003E\u003C\/b\u003E\u003C\/span\u003E\u003Cbr \/\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cb\u003E\u003Cspan style=\"background-color: white;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/span\u003E\u003Cb\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cspan style=\"background-color: white;\"\u003EIntérpretes:\u0026nbsp;\u003C\/span\u003E\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"background-color: white; display: inline-block;\"\u003E\u003Cspan itemprop=\"name\" style=\"display: inline-block;\"\u003EJoan Crawford\u003C\/span\u003E,\u003C\/span\u003E\u003Cspan style=\"background-color: white;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"background-color: white; display: inline-block;\"\u003E\u003Cspan itemprop=\"name\" style=\"display: inline-block;\"\u003EJack Carson\u003C\/span\u003E,\u003C\/span\u003E\u003Cspan style=\"background-color: white;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"background-color: white; display: inline-block;\"\u003E\u003Cspan itemprop=\"name\" style=\"display: inline-block;\"\u003EAnn Blyth\u003C\/span\u003E,\u003C\/span\u003E\u003Cspan style=\"background-color: white;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"background-color: white; display: inline-block;\"\u003E\u003Cspan itemprop=\"name\" style=\"display: inline-block;\"\u003EZachary Scott\u003C\/span\u003E,\u003C\/span\u003E\u003Cspan style=\"background-color: white;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"background-color: white; display: inline-block;\"\u003E\u003Cspan itemprop=\"name\" style=\"display: inline-block;\"\u003EEve Arden\u003C\/span\u003E,\u003C\/span\u003E\u003Cspan style=\"background-color: white;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"background-color: white; display: inline-block;\"\u003E\u003Cspan itemprop=\"name\" style=\"display: inline-block;\"\u003EBruce Bennett\u003C\/span\u003E,\u003C\/span\u003E\u003Cspan style=\"background-color: white;\"\u003E\u003C\/span\u003E\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"background-color: white; display: inline-block;\"\u003E\u003Cspan itemprop=\"name\" style=\"display: inline-block;\"\u003EVeda Ann Borg.\u003C\/span\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/b\u003E\u003Cbr \/\u003E\u003Cdiv style=\"text-align: center;\"\u003E\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"background-color: white; display: inline-block;\"\u003E\u003Cspan itemprop=\"name\" style=\"display: inline-block; text-decoration-line: none;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: center;\"\u003E\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"background-color: white; display: inline-block;\"\u003E\u003Cspan itemprop=\"name\" style=\"display: inline-block;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cu\u003ETrailer:\u003C\/u\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/b\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: center;\"\u003E\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"background-color: white; display: inline-block;\"\u003E\u003Cspan itemprop=\"name\" style=\"display: inline-block; text-decoration-line: none;\"\u003E\u003Cb\u003E\u003Cspan style=\"font-family: inherit;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/b\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ciframe allowfullscreen=\"\" class=\"YOUTUBE-iframe-video\" data-thumbnail-src=\"https:\/\/i.ytimg.com\/vi\/KoOr_OoHbv4\/0.jpg\" frameborder=\"0\" height=\"266\" src=\"https:\/\/www.youtube.com\/embed\/KoOr_OoHbv4?feature=player_embedded\" width=\"320\"\u003E\u003C\/iframe\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: center;\"\u003E\u003Cbr \/\u003E\u003C\/div\u003E\u003Cspan class=\"cast\" itemprop=\"actor\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\" style=\"background-color: white; display: inline-block;\"\u003E\u003Cspan itemprop=\"name\" style=\"display: inline-block; text-decoration-line: none;\"\u003E\u003Cb\u003E\u003Cspan style=\"color: #660000; font-family: inherit;\"\u003EReseña escrita por Pepe Mata\u003C\/span\u003E\u003C\/b\u003E\u003C\/span\u003E\u003C\/span\u003E"},"link":[{"rel":"replies","type":"application/atom+xml","href":"https:\/\/www.lasmejorespeliculasdelahistoriadelcine.com\/feeds\/1834086094293944586\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"https:\/\/www.blogger.com\/comment.g?blogID=2858312765972044065\u0026postID=1834086094293944586\u0026isPopup=true","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/2858312765972044065\/posts\/default\/1834086094293944586"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/2858312765972044065\/posts\/default\/1834086094293944586"},{"rel":"alternate","type":"text/html","href":"https:\/\/www.lasmejorespeliculasdelahistoriadelcine.com\/2017\/07\/alma-en-suplicio-instinto-maternal.html","title":"ALMA EN SUPLICIO (1945). Instinto maternal."}],"author":[{"name":{"$t":"Jesús"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/07128994698708366703"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/4.bp.blogspot.com\/-6HVt8nDff8Y\/WVrIrRSzAEI\/AAAAAAAATMs\/xWKvo2_iiAU4xTdedl5Q4jlz5uVUPYxegCLcBGAs\/s72-c\/alma%2Ben%2Bsuplicio%2Bcartel.jpg","height":"72","width":"72"},"thr$total":{"$t":"1"}}]}});